‘Promises to keep’

Filed under: General — Heather Ford @ 12:08 am

Professor William Fisher’s new book, ‘Promises to keep’ is out. Fisher has some incredible ideas about alternative compensation systems in the era of the Internet. I met him at Harvard University’s iLaw conference last year, where he presented some of his ideas. Check out the book here. And read more about how we might pay for music in the future.

Argentina and Brazil propose a ‘development agenda’ for WIPO

Filed under: General — Heather Ford @ 4:36 am

‘There’s a battle going on at the World Intellectual Property Organization (WIPO) — one that could accurately be described as a struggle for the soul of the organization. The central question is whether WIPO will coninue to promote the protection of intellectual property for its own sake — IP “uber alles” — or, as a number of developing countries and others are advocating, pursue a range of initiatives that reflect such notions as “balance,” “innovation,” or “access.”‘

Read Donna Wentworth’s great entry on the ‘Geneva Declaration on the Future of the World Intellectual Property Organization’ that will be presented by Argentina and Brazil at WIPO’s annual meeting on Thursday.

If you want a brilliant assessment of why WIPO needs to change tack, read James Boyle’s very accessible explanation here, and be sure to sign the declaration here.

Wired, Creative Commons Rock the Recording Industry

Filed under: General, Press — Heather Ford @ 4:29 am

Vincent Maher has written a great article on Wired’s Creative Commons CD.

LIO judgement disappoints

Filed under: General — Heather Ford @ 3:18 am

Chris Bester, our resident legal expert, has written an excellent commentary on the LIO judgement. There are definitely a host of different opinions on the judgement – a great one from the freedom of expression perspective comes from Carmel Rickard on the Sunday Times online.

‘The legal battle between South African Breweries (SAB) and Laugh-it-Off Promotions (LIO) has captivated the imagination of lawyers and student of popular culture alike. Never before has a South African Court been confronted with the question of how far the constitutional guarantee of freedom of expression challenges intellectual property rights. In the Supreme Court of Appeal’s judgment handed down on 16 September, the issue was whether the Cape High Court (decision accessible from ) was correct in handing down an interdict preventing LIO from parodying SAB’s “Black Label trademark” on its T-shirts. The Court confirmed the decision of the Cape High Court and found LIO’s reliance on parody and freedom of expression as defenses to trademark dilution to be misconceived.

The Court made it clear that the commercial use of another’s well-known trademark established over a period of time involving great expenditure where such use is to the detriment of the trademark owner’s reputation, amounts to dilution of the trademark and accordingly justifies an interdict. If the outcome of the case is viewed in the context of the perceived use of intellectual property rights by large multi-national corporations in suppressing freedom of expression and social commentary, the conclusion may well be reached that intellectual property rights are immune from constitutional attack. While this may be so on face value, a careful reading of the judgment shows the contrary. Not only did the Court acknowledge the growing concern that trademark protection is not always kept within its proper boundaries, but in two sentences, forever destroyed the notion that intellectual property law is immune from constitutional scrutiny. Although the judgment dealt with trademark dilution, the Court’s remarks in this regard have equal bearing on copyright law, especially in so far as its application on the Internet is concerned where the enclosure of information previously in the pubic domain is becoming more contentious. In future, the holders of intellectual property rights will have to show that the enforcement of their rights is constitutionally justifiable.

It is difficult to determine what reverberating effect the judgment will have, but there is little doubt that South African Courts will be more circumspect in granting holders of intellectual property rights blanket protection when confronted with a defense of freedom of expression. Where the form of expression is commercial in nature as was the case with LIO, a Court will not be easily persuaded to grant the form of expression full protection since commercial speech occupies a subordinate position in our hierarchy of constitutional values. However, it is highly conceivable that use of another’s trademark will not amount to infringement where the form of expression was not commercial in nature. For this reason, a Court will not easily come to the same conclusion as in the SAB/LIO matter if the Treatment Action Campaign for instance, makes use of a giant pharmaceutical’s trademark in conveying its criticism of the pharmaceutical’s Aids drug policy. A Court may similarly sympathize with the proprietors of the Hellkom website and be loathe in enforcing Telkom’s trademark where the use of Telkom’s trademark amounts to non-commercial speech and is not in the course of trade.

As for LIO, the decision does not necessarily mean the end of their road. They may well decide to take the matter to the Constitutional Court, but here, the issue will revolve around whether the Supreme Court of Appeal showed sufficient deference to their right to freedom of expression. On the facts of the matter, it seems unlikely the eleven judges of the Constitutional Court will arrive at a different decision as their colleagues in the Supreme Court of Appeal.’

And more from Justin Nurse in a Star article:
“We sell social commentary – we don’t sell T-shirts. If it was about T-shirts, we would not have taken it this far. The judgment gave no recognition to that. It is very disheartening.

What do you think? Should the ‘commercial use’ clause be used against freedom of expression? Do you think we should be allowed to say what we want, as long as we’re not making a business out of it?

LINK Centre named ccSA host

Filed under: Announcements — Heather Ford @ 2:23 am

The LINK Centre at the University of the Witwatersrand in Johannesburg has been named the proud host of Creative Commons in South Africa! Check back here to find details about the licensing process.

Rip. Sample. Mash. Share.

Filed under: Featured Content — Heather Ford @ 2:06 am

gil

Thomas Goetz, Wired Magazine Articles Editor, spoke to Creative Commons South Africa about the Creative Commons licensed CD that they’re launching in November.

Why did Wired decide to support this initiative?

Creative Commons licenses could be part of what the music industry needs to shake out of this stalemate between extreme restrictions and all out anarchy. Wired saw an opportunity to help that happen, by helping recruit some big-name musicians to try out a license and put out a CD. It’s an experiment, but one we hope will have some impact.

How difficult is it to convince popular artists (and more importantly, their recording companies) like David Byrne to come on board with cc?

Artists like Byrne were easy – they saw the promise of CC, and the role of CC, and they signed on early. Other bands took more convincing, and some, of course, opted not to participate. Same with the labels – some saw it as a worthwhile experiment, others didn’t see what good could come of it.

Do you think that the onslaught of the recording industry on civilians is a purely American phenomenon?

Intellectual property is becoming an issue of global significance, from pirating in the music and film industries to the patenting of seeds in India or Brazil. The problem is one of balance: how do you protect the interests of intellectual property holders – in this case, record labels – to encourage them to create new product, while providing enough latitude for the culture at large to appreciate and use that product without onerous restrictions. So what’s happening in the US with the RIAA is just the tip of the iceberg in finding that balance.

Do you think that cc provides a good enough (quality) alternative to ‘illegal music’ on the Internet?

It all depends who decides to use the licenses. That’s the point of the Wired CD – we wanted to get the best, highest caliber musicians we could, to show that it’s a worthwhile option for artists, no matter how popular – even a massive group like the Beastie Boys.

Will the music by David Byrne and Gilberto Gil be available under a cc license for others to remix?

The songs that each of them have on the Wired CD (available in the November issue) are available for sampling, mashups, and the like – but the license stipulates that the use must be ‘highly transformative.’ so a simple remix doesn¹t qualify – they must be used as building blocks for a whole new song, not just a new edit of the same song.

What do you think about the idea that cc is just another way of flooding the Internet with more American culture – but this time, for free?

I’m not sure what you mean by ‘flooding the internet with more American culture’ – the internet is a decentralized network, so it is whatever people want it to be. The fact that there’s more content from the US is a symptom of the fact that the US is more connected than other parts of the world. But nobody’s ‘making’ that happen, it’s simply a reflection of the network itself. In time, as the rest of the world catches up in internet access, I imagine that we’ll see a whole new balance.

As for the CC angle, well, anybody anywhere can use a CC license, and I know that CC is working hard on beefing up its international licenses. So I’d argue that CC is helping change the balance of what cultures are represented on the Net.

Any future plans for collaborating with and/or supporting cc?

None right now, but we’re still in the thick of this thing.

Copyrighting the national anthem

Filed under: General — Heather Ford @ 7:58 am

protea

Unbelieveable?

I came across this wonderful story about Mexicans around the world coming together earlier this month to celebrate 150 years of their national anthem. They hoped that it would unite a country defeated and divided, in part by the loss of half of its territory to the United States in 1848. The article goes on to describe the origin of the song which emerged out of a national contest in the same year. And the kicker:

‘The anthem itself isn’t without controversy. Mexican officials were outraged a few years back to discover that a U.S. company claimed a copyright to a version of the song.’

At the end of the article mentions: ‘Mexican officials were outraged a few years back to discover that a U.S. company claimed a copyright to a version of the song.’

Happy Heritage Day, SA. Get it down now before it costs!

Nkosi sikelel’ iAfrika
Maluphakanyisw’ uphondo lwayo,
Yizwa imithandazo yethu,
Nkosi sikelela, thina lusapho lwayo.

Morena boloka setjhaba sa heso,
O fedise dintwa la matshwenyeho,
O se boloke, O se boloke setjhaba sa heso,
Setjhaba sa South Afrika – South Afrika.

Uit die blou van onse hemel,
Uit die diepte van ons see,
Oor ons ewige gebergtes,
Waar die kranse antwoord gee,

Sounds the call to come together,
And united we shall stand,
Let us live and strive for freedom,
In South Africa our land.

(We got the picture off the wonderful SAHistory Online.)

Community Information Network for Southern Africa

Filed under: Press — Heather Ford @ 11:14 am

Developing Nations Copyright License Frees Creativity Across the Digital Divide‘ Creative Commons press release

The people do their part to reform global information policy

Filed under: General — Heather Ford @ 11:11 am

What wonderful news! After months of public discussion and legal debate, Creative Commons launched the ‘developing nations license‘ at the Trans Atlantic Consumer Dialogue’s workshop on “The Future of WIPO,” in Geneva last week.

The ‘developing nations license’ allows copyright holders to invite a wide range of royalty-free uses of their work in developing nations while retaining their full copyright in the developed world.

“The Developing Nations license allows, for the first time, any copyright holder in the world to participate first-hand in reforming global information policy,” said Lessig. “The fact is that most of the world’s population is simply priced out of developed nations’ publishing output. To authors, that means an untapped readership. To economists, it means ‘deadweight loss.’ To human rights advocates and educators, it is a tragedy. The Developing Nations license is designed to address all three concerns.”

See here and here on ccHQ for more.

Protecting traditional songs

Filed under: General — Heather Ford @ 8:02 am

The Folk Den is a repository of Roger McGuinn’s performances of traditional songs in the United States. From the website:

‘The purpose of this page is to use the medium of the World Wide Web to continue the tradition of the folk process, that is the telling of stories, and singing of songs, passed on from one generation to another by word of mouth.

In this electronic era, such a process is in danger of being overwhelmed by the commercial mass media. This page and others on the ‘net are working to preserve the folk songs that have chronicled our global heritage for centuries.

In the Folk Den there will be a “new” folk song uploaded every month as a “Global Community Service.”

He says this about his decision to use the Creative Commons Music Sharing License:

‘I’d been putting these folk songs up on iBiblio for some time without any thought to protect them, although I’d put a little copyright line — McGuinn Music — at the bottom. But I didn’t really know if that protected them or not. My main attraction to Creative Commons was the fact that it provides a level of sharing, which is exactly what I want to do with the songs in the Folk Den. My whole purpose for putting them up there is to keep them going. It occurred to me back in 1995 when I started the Folk Den that the traditional side of folk music was getting neglected because of the singer-songwriter phenomenon. New singer-songwriters are not doing traditional music anymore.

This is one of the greatest examples that I’ve seen of someone using Creative Commons to distribute traditional knowledge – it protects, it preserves and it distributes far and wide.

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